Reproduction Art
Woman with White Collar
Amedeo Modigliani

Woman with White Collar

1917
300 €
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Original dimensions
60.2 x 81 cm
Museum
Grenoble Museum
Year
1917
Palette
Hand-painted in oil on canvas · Museum-quality materials · Ships worldwide
Amedeo ModiglianiExpressionnismeMusée de GrenoblePortraits de ModiglianiPortraits Modigliani

Scene depicted

The painting “Woman with a White Collar” reveals a striking portrait, where a woman with a delicate posture and an elongated face transcends mere representation. The beauty of her white collar inevitably draws the eye, while her eyes seem to tell a story, immersed in deep introspection. Modigliani here operates a subtle play between the gaze and the psychological landscape, rendering this canvas timeless, like an embrace of a frozen moment.

Historical context

Created in 1917, in Paris, this painting is emblematic of the artistic movement of Fauvism , of which Modigliani is a central figure. The era is marked by cultural and artistic upheavals, with artists seeking to move away from academic conventions. This canvas , now preserved at the Grenoble Museum , fascinates with its ability to capture the essence of human emotions through stylized forms and a bold palette.

Place in the artist's career

This painting marks a major turning point in Modigliani's career. In 1917, he reaches the maturity of his style, symbolizing the synthesis of his Cubist and Fauvist influences. At the same time, his flagship works like “Young Woman in Black” and “The Nude” mark this bold exploration of forms and emotions. This masterpiece resonates as a culmination, a shining star on the canvas of his artistic legacy.

Anecdote

Modigliani once confided: “The model must speak to the soul, not just to the eye.” Inspired by a fleeting encounter in a bustling alley of Montparnasse, this pictorial work was born under a clear sky, where the scent of coffee mingled with that of spring flowers. The magic of the moment guides the artist's hand, thus capturing the fleeting beauty of feminine painting .