Reproduction Art
The plain of Gennevilliers seen from the hills of Argenteuil
Gustave Caillebotte

The plain of Gennevilliers seen from the hills of Argenteuil

1888
300 €
Choose your format
Original dimensions
81 x 65 cm
Museum
Not specified
Year
1888
Palette
Hand-painted in oil on canvas · Museum-quality materials · Ships worldwide
Gustave CaillebotteImpressionniste

Scene depicted

In this canvas , Caillebotte immerses us in the heart of a plain bathed in light, the hills rising gracefully. The painting evokes a vibrant rurality, where the play of light dances on the golden and green fields. The nuances of nature blend with the nuances of life, making this pictorial work a vibrant tribute to the beauty of the French panorama, both peaceful and full of energy.

Historical context

This painting , created in 1888, is set in the enchanting framework of Gennevilliers, a locality steeped in history, at the gates of Paris. Belonging to the Impressionist movement, this painting resonates as a poignant testimony to the artistic evolution of its time. Gustave Caillebotte , immersed in the shadow of the giants of his time, manages to capture the light and life that emanate from this landscape. Numerous exhibitions have paid tribute to this work , but its current location remains an intriguing mystery. With dimensions of 81 x 65 cm, the canvas reveals itself as majestic while being almost intimate.

Place in the artist's career

This painting is part of a period of artistic maturity for Caillebotte. While his early works such as “The Bridge of Europe” flirt with a more realistic approach, The Plain of Gennevilliers Seen from the Hills of Argenteuil reveals a dazzling Impressionist mastery. At the same time, the series of “Interiors” reflects the evolution of his style towards a more intimate sensitivity.

Anecdote

It is said that Caillebotte, on a misty morning, was inspired by the sweet scent of a blooming garden, a memory crystallized in his mind. His words resonate: “Each canvas is an open window to the ephemeral.” This painting is born from a meeting between the artist and nature, evoking in the composition a fleeting and moving beauty.

Major exhibitions

“Impressionisti Segreti” in Palazzo Bonaparte