Charles Stewart, sixth marquis of Londonderry, wearing the great sword of state during the coronation of King Edward VII, in August 1902, and Mr. W. C. Beaumont, his page on that occasion
- Original dimensions
- 195.6 x 287 cm
- Museum
- Museum of Fine Arts, Boston
- Year
- 1904
Scene depicted
This iconic painting illustrates a moment of royal coronation, where Charles Stewart, as the sixth marquess of Londonderry, stands gracefully, carrying the great State Sword, a symbol of power and responsibility. Beside him, Mr. W. C. Beaumont adds a touch of humanity, highlighting the intimate relationship between the nobleman and his page. This masterpiece powerfully evokes the tradition of British coronations, enveloping the viewer in an aura of history.
Historical context
This iconic painting , created in 1904, is set in a time when art intertwines with British nobility. Located in the Museum of Fine Arts, Boston , this canvas is the result of deep reflection on power and dignity, capturing an unforgettable historical moment. Its geographical location, Tite Street, reflects a vibrant, changing London, while fitting into the current of academic portraiture of the early 20th century.
Place in the artist's career
This painting testifies to a period of artistic maturity for Sargent, standing alongside his major works such as "Madame X" and "Carnation, Lily, Lily, Rose." Here, we see the evolution of his style, where portrait technique merges with a rich composition, leading the viewer to feel the psychological depth of the characters.
Anecdote
Sargent once said: "Every face has a story, a light of its own." One foggy morning, while walking through the streets of London, the artist felt the powerful call of greatness and dedication. It is this essential emotion that permeates his canvas , transforming the representation of the marquess into a true portrait of the soul.
Major exhibitions
Royal Academy of Arts Exhibition