Reproduction Art
Acrobats at the Fernando Circus (Francisca and Angelina Wartenberg) - Pierre
Auguste Renoir

Acrobats at the Fernando Circus (Francisca and Angelina Wartenberg) - Pierre

1879
300 €
Choose your format
Original dimensions
995 x 1315 cm
Museum
Art Institute of Chicago
Year
1879
Palette
Hand-painted in oil on canvas · Museum-quality materials · Ships worldwide
Art Institute of ChicagoImpressionnistePierre-Auguste Renoir

Scene depicted

In this painting , Renoir immerses us in the heart of the show, where the two elegant acrobats, Francisca and Angelina, move with grace and lightness. Their bodies seem to float, defying gravity, illuminated by the light of a vibrant tent. The circus, with its bright colors and festive atmosphere, is not just a place of leisure: it becomes a symbol of freedom and artistic expression.

Historical context

Created in 1879 in the vibrant city of Paris, Acrobates au Cirque Fernando is part of the Impressionist movement, an artistic current celebrating light and movement. At that time, Paris is a true cultural hub, where modernity and creativity abound, with the circus and performance at the heart of popular entertainment. The painting is currently housed at the Art Institute of Chicago , a museum that hosts many masterpieces, a true sanctuary for art lovers. Its imposing dimensions, 995 x 1315 cm, enhance the intensity and presence of this painting .

Place in the artist's career

Acrobates au Cirque Fernando represents a stylistic evolution in Renoir's career. Situated at the crossroads of his emerging Impressionist style, this painting also evokes themes present in other works such as Bal du Moulin de la Galette and Les Grandes Baigneuses , where the exploration of light and human forms is predominant. It marks a moment when Renoir begins to merge movement with light, thus offering a unique immersion into the collective imagination.

Anecdote

“To paint is to capture the passing moment, to freeze emotion in light.” This quote resonates as an echo of Renoir's soul, expressing his desire to capture the ephemeral. Imagine Renoir, on a sunny morning, wandering through the circus, captivated by the acrobatics of Angelina and Francisca, joyful and lively. This fleeting moment gave birth to a masterpiece imbued with life and joy, a canvas that sings in unison with the energy and sounds of the circus.